November, 2001

Welcome to the second issue of the Canning Chronicles, the new monthly e-newsletter written by the professionals at John Canning Painting & Conservation Studios. Please forward this to your colleagues, and send us your comments, nominations for our Thistle Awards, and items for our Fun Facts from the Field. We welcome your feedback and participation. Click Here.


In This Issue
Under Cover

Gold deposits in the Cash Room at the US Treasury

Topical Conservation

Gilding, step by step

Thistle Award

Honoring Professor Frank Matero

Fun Facts from the Field

All that glitters…

  Under Cover Gold deposits in the Cash Room at the US Treasury

Cash Room Cieling Detail
U.S. Treasury Building, Washington D.C.

This month, John Canning Painting and Conservation Studios wraps up its most recent gilding assignment with the completion of the cash room ceiling (how appropriate) in the US Treasury Building.

The project, originally scheduled to take nine weeks was completed in five by Canning Studios' expert gilding staff.

Click Here for the rest of the story

  Topical Conservation Gilding - step by step

Statue of Prometheus - by Paul Manship
1934, Rockefeller Center, NYC.

Getting beautiful results using this historic and dramatic decorative technique is a matter of understanding the properties of the materials used, and following a series of simple steps. Here's how…

1) Prepare the surface to create a smooth substrate. The surface can be plaster, wood, metal, etc. but it must be smooth and dust and residue free for best results.

Click Here for the rest of the story

  Thistle Award UPenn's Frank G. Matero

John Canning Riccio gilds one of the horses in the Proscenium's corner frieze at the War Memorial Opera House, San Francisco

The Canning Chronicles is pleased to honor Frank Matero with the first Thistle Award for his lifelong dedication to developing graduate education programs in historic preservation. Twenty years ago, when historic preservation was in its infancy in this country, Professor Matero served on the faculty of the graduate program of Historic Preservation at Columbia University's Institute of Fine Arts (1981-1990). During this time he also served as Director of the school's Center for Preservation Research. His was one of the first programs of its kind in the U.S. and served as the training ground for some of today's most accomplished conservators.

In 1990, Matero joined the Graduate Program in Historic Preservation at the University of Pennsylvania where he is now Chairman and Associate Professor of Architecture. It is the mission of UPenn's graduate program to prepare graduates for professional careers in, "The identification and analysis of cultural places and their historic fabric, the determination of significance and value, and appropriate degrees of intervention, and the implementation of prescribed conservation and management. These areas all require special preparation in history, documentation, planning, design and technology."

Click Here for the rest of the story

  Fun Facts from the Field All that glitters…

We often say that John Canning Studios has been responsible for the country's largest gilding projects over the past few years. We've finally found a way to convey just how large. Metal leaf comes in sheets roughly 5 inches square. It can come in single sheets or mounted edge to edge on a roll. Now we can put these jobs into perspective:

San Francisco City Hall: 144,000 sheets of gold leaf

Radio City Music Hall: 810,000 sheets of Dutch metal leaf

War Memorial Opera House, San Francisco: 1.5 million sheets of gold leaf

And it's all applied by hand!

If you do not wish to receive the Canning Chronicles in the future click here.

Privacy Policy

©2001 Canning ChroniclesTM is produced by John Canning Painting & Conservation Studios, Inc.
All rights reserved.
Material in this e-newsletter may not be reprinted or reproduced without permission.